This weekend Sweet Briar students, under the direction of Prof. Bill Kershner, performed The Bacchae.
Rick and I saw Thursday’s performance. On the way home, we agreed that the final scenes were powerful. Pity, terror, and great solemnity. . . and, yes, a lot of blood!
My impression was that Prof. Kershner and his students had committed themselves to exploring the “Greekness” of the play. Although the translation was contemporary, the staging and movement seemed to resist easy modernization. I admired the students’ ability to enter into dramatic performance conventions that are so different from our own.
In an interesting twist, the cast was single-gender, as it would have been in ancient performance — but of the other gender. Women played both female and male roles, which allowed the play to be cast entirely with Sweet Briar students.
I left the theater thinking about the Dionysian quality of drama, intoxicating and socially transformative and therefore dangerous.












